As with most of my work over the past decade, these drawings explore the presence of absence. In removing the living objects, I do not negate their existance, but rather investigate the effect that they have had on their surroundings. The new landscapes become a dual narrative, simultaneously telling the story of what is missing and what is newly present.
Wednesday, December 3, 2008
Drawings
These drawings consist of two layers of paper. The front layer is a book page from which I have cut out the people and/or animals. The back layer is drawing paper on which I have painted the landscape that I imagine would have existed behind those people and/or animals.
As with most of my work over the past decade, these drawings explore the presence of absence. In removing the living objects, I do not negate their existance, but rather investigate the effect that they have had on their surroundings. The new landscapes become a dual narrative, simultaneously telling the story of what is missing and what is newly present.
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As with most of my work over the past decade, these drawings explore the presence of absence. In removing the living objects, I do not negate their existance, but rather investigate the effect that they have had on their surroundings. The new landscapes become a dual narrative, simultaneously telling the story of what is missing and what is newly present.
A poem by Mark Strand
In a field
I am the absence
of field.
This is
always the case.
Wherever I am
I am what is missing.
When I walk
I part the air
and always
the air moves in
to fill the spaces
where my body’s been.
We all have reasons
for moving.
I move
to keep things whole.
-Mark Strand
I am the absence
of field.
This is
always the case.
Wherever I am
I am what is missing.
When I walk
I part the air
and always
the air moves in
to fill the spaces
where my body’s been.
We all have reasons
for moving.
I move
to keep things whole.
-Mark Strand
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